Everywhere is beautiful with the love ones.

Something's Gotta Give

ERICA: Look, Harry, here's the problem. I really like you.

HARRY:I really like you.

ERICA:Yeah, but I "love you" like you.I do. I love you.

HARRY: (1)I think maybe you should consider that you're in love with the idea of being in love.

(2) I think that we should consider...maybe we're getting ahead of ourselves.

ERICA: Do you?

HARRY:Yeah.

ERICA: Okay. Oh, God...I'm like the dumb girl who doesn't get it. I've never been the dumb girlbefore. It ain't so great.

HARRY:Let's just calm down. This was justa a meal with a friend.

ERICA:Did you know I called you sevenhours ago?

HARRY:I was gonna call you. I've been jammingall day, it's my first day back.

ERICA:Uh-huh. . .

HARRY:I had these plans before I met you. But Ido like seeing you. I do. I'm alwayssurprised by it.

ERICA:What was I thinking?

HARRY:Maybe you weren't thinking for once andlook what a good time we had. Let's notruin something great.

ERICA:Harry, I won't be good at this.

HARRY:At what?

ERICA:Acting like I don't care.

HARRY:I have never lied to you. I have alwaystold you some version of the truth.

ERICA:The truth doesn't have versions.

HARRY:Can you cut me a little slack? Mylife's been turned upside down.

ERICA:Yeah. Mine too.

HARRY:Then let's each get our bearings.

ERICA:I don't want my bearings. I've had mybearings my whole fucking life. I feltsomething with you that... Oh, you don'twant to-

HARRY:Yes I do.Tell me.

ERICA:I felt something with you, I didn't knowreally existed. You know what that's likeafter a twenty year marriage? To feelsomething for another person that's sooff the charts, that -

Okay, not your problem. This is whyI'm not good in relationships. Youknow writers are like teachers,those who can - do, those who can't- write romantic comedies whereTHIS does not happen in the thirdact...and it certainly does nothappen to a 55 year old woman. In the play I'll be 36 so it won't beas pathetic. I'm just too old to feel crushed.I've written thisfeeling but I never really got it.

You know what this is?

This is heart broken. How's that for impervious?

HARRY:You're killin' me.

ERICA:I just wish it had lasted more than aweek.

HARRY:Me too.

ERICA:That's a horrible thing to say.

HARRY:The life I had before I met you. I knew how to do that, could do that forever. Now look at me...what do I do with all this?

London

คือว่าอยากดูเรื่องนี้มากมายอ่ะ แต่หาซื้อไม่ได้ หาที่ใหนก็หาไม่เจอ เป็นเรื่องเกี่ยวกับความรักที่ Chris Evan เล่นกับ Jessica Biel อยากดู อยากดู อยากดู!!

บางอย่าง ถ้าเราไม่หยุดตามหา เราก็จะเจอ เกือบหนึ่งปีที่เราตามหา London จนคิดว่า ยังไงก็คงไม่ได้ดูแล้วหละ แต่แล้ววันนึง โชคก็เข้าข้างเราบ้างหละน่า

what the title should b

Just to be honest about it, I felt a little down. I really thought we were friends. I thought we were closer. I didnt think it was about spending time with someone but we all we can have together. But sometimes I'm wrong,right? Like totally wrong! What else could hurt more than being left out.

But then why being so hard to yourself and others.Why not just enjoy the time that you have and make the best out of it.

Such a painful lyrics

--Goodbye My Alomost Lover--

Goodbye my almost lover.
Goodbye my hopeless dream.
I'm trying not to think about you.
Can't you just let me be.
So long my luckless romance.
My back is turned on you.
Should've known you'd bring me heartache.
Almost lovers always do.

I cannot go to the ocean.
I cannot drive the streets at night.
I cannot wakeup in the morning without you on my mind.
So you're gone and I'm haunted
And I bet you are just fine.
Did I make it that easy to walk right in & out of my life?

Goodbye my almost lover.
Goodbye my hopeless dream.
I'm trying not to think about you.
Can't you just let me be.So long my luckless romance.
My back is turned on you.
Should've known you'd bring me heartache.
Almost lovers always do

I never want to see you unhappy.
I thought you'd want the same for me.

Goodbye my almost lover.
Goodbye my hopeless dream.

-A Fine Frenzy

Quotes

There comes a point

B Art Exhibition: Elmgreen & Dragset

B Art Exhibition: ELMGREEN & DRAGSET
World's famous installation artists at Bangkok's Hua Lampong


Event Info
Host: B Society
Type: Music/Arts - Exhibit

Date: Friday, September 5, 2008
Time: 6:00pm - 8:00pm
Location: Hua Lampong Train Station
Street: MRT: Hua Lampong Stn.
City/Town: Bangkok, Thailand

Contact info Phone: 0855699969


Description

Friday 5 September6pm-8pm

venue: Hua Lam Pong Train Station

now it's an art event--from world's infamous duo installation artistELMGREEN & DRAGSET==================

The British art magazine Art Review mentioned the duo as one of the ten most influential artists in the world.One of their most famous works is Prada Marfa from 2005, a Prada store placed in the middle of the Texan desert.They saw the enormous power the fashion world had got built up and they wanted to test this in a new and absurd surrounding. Placing objects associated with certain ideas in new surroundings to make them loose its power and only look absurd is something the duo find amusing.=======================Ballantine’s ‘Leave an Impression’

ขอเชิญคุณพบกับการแสดงศิลปะจัดวาง (installation art) โดยศิลปินดูโอระดับโลก ไมเคิล เอ็มกรีน และ อินการ์ แดร็กเซ็ต จากเบอร์ลิน ในวันศุกร์ที่ 5 กันยายน เวลา 18.00 น. ณ สถานีรถไฟหัวลำโพงAbout the artistsเอ็มกรีนและแดร็กเซ็ต สนุกกับการจงใจนำวัตถุ บุคคล หรือแม้แต่สถานที่ ไปสลับจับวาง แบบผิดที่ผิดทาง ในสิ่งแวดล้อมที่ทำให้สิ่งของเหล่านั้นหมดความหมายและดูไร้ค่า ทั้งคู่เป็นที่รู้จักในนามของศิลปินที่ตั้งคำถามถึงการรับรู้ของบุคคลต่อพื้นที่สาธารณะ ผลงานของเขาถูกจัดแสดงมาแล้ว ในหอศิลป์สำคัญแทบทุกแห่งของโลก เช่น Tate Modern (ลอนดอน), New York Museum, Palais de Tokyo, Musee d’art Moderne (ปารีส), และได้รับรางวัลด้านศิลปะมากมาย รวมถึงรางวัล Preis de Natinalgerie fur Junge Kunts ในปี 2003 ซึ่งเป็นรางวัลทางด้านศิลปะขั้นสูงสุดของประเทศเยอรมันนีผลงานโดดเด่นของศิลปินคู่นี้ ได้แก่ ‘Prada Marfa’ (ปี 2003) ที่ทั้งคู่สร้างร้านปราด้า ขนาดย่อมๆ ไปตั้งไว้กลางทะเลทรายไร้ผู้คนของรัฐเท็กซัส, ‘Drama Queen’ (2007) ที่นำเอาประติมากรรมชิ้นเอกของโลกมาแสดงละครเวที โดยใช้รีโมทคอลโทรลควบคุมการเคลื่อนไหวของประติมากรรมเหล่านั้น, End Satation ที่ทั้งคู่จำลองสถานีรถไฟใต้ดิน ของนิวยอร์คในยุค 80s มาไว้ในหอศิลป์นิวยอร์ก หรือ ‘Taking Place’ (2001) ที่ทั้งคู่ทุบ หอศิลป์ในซูริคทั้งหลังเพื่อนำมาแสดงงาน

B Society

Information
Basic Info
Type: Entertainment & Arts - Nightlife

Description:

B Society is all about art, music, fashion, party, dressing up, and getting hammered. We bring you new experiences that hopefully will inspire you to leave an impression in life. Join us to be the first to know what's happening and do invite your friends to be part of it all. Please visit www.bsociety.com for more inspirations.

Contact Info
Website: http://www.bsociety.com/
Office: www.bsociety.com
Location: Bangkok, Thailand

Join B Society to accessWorld-class music / art eventsfun stuff / after parties / secret parties / free parties / etc..here are our past and up coming events=====================N>E>X>T>>>E>V>E>N>T>>>=====================FFriday 5 September4pm-5pmvenue: Hua Lam Pong Train Stationnow it's an art event--from world's infamous duo installation artistELMGREEN & DRAGSETplus a small (but mad) after party (invitation only)

That's my boy..Or was

NATHAN: (smiles) Stop it. (His eyes are closed and he isn’t even facing her.)

HALEY: (turns her head to him) What?

NATHAN: Whatever you were worrying about. Just stop.

HALEY: (impressed) How do you know I’m worried? You didn’t even open your eyes.

NATHAN: (smiles) You think I need to see you with my eyes to know what’s going on with you? What’s on your mind?

That's my boy. Or was. Or maybe he has never been mine at all.
But it was like that with me and him. I always remember what happen between us.

In a bus sitting next to each other.

Me : (slightly sigh)
Him : What's wrong?
Me: What do you mean? I didn't say anything.
Him : Well, that sigh tells alot. So tell me.

All the girls in the world can never say no to someone who is so listening, caring and understanding, right? So how could I?

Earth's Album

Something from Yann Arthus-Bertrand's perspective in TIME.

***************************************************************************

Earth's Album
Sunday, Jun. 30, 2002 By MARYANN BIRD/LONDON

The best picture the world has ever seen wasn't snapped by a professional photographer but by a man of science, the former U.S. astronaut William Anders. Taken in December 1968 from Apollo 8 — the first manned vehicle in lunar orbit — the image is of the earth rising above the moon's arid, lifeless horizon. Revealing the planet for the first time as a pristine blue and white jewel in the black void of space, the picture became an instant classic, inspiring poets and becoming a symbol of the ecology movement.

"It is truly the most beautiful photo ever taken," says Yann Arthus-Bertrand, 56, a French aerial photographer who for the past 10 years has been snapping shots of the planet from slightly closer range. He has taken more than 100,000 pictures of the earth in the past decade alone, capturing the stunning patterns and characteristics of the natural and manmade worlds. From those thousands, Arthus-Bertrand has chosen an evocative 155, enlarged them to more than 2 m wide, weatherproofed them and assembled them in a free, outdoor exhibition entitled "Earth from the Air: A Photographic Portrait of Our Planet." On display till late September in the east garden of London's Natural History Museum, the exhibition will travel around Britain. With duplicate prints, it is also running in France, Poland, Sweden and Germany and is due shortly in Norway, Russia, Hungary and Lebanon.

But Arthus-Bertrand's work is about much more than pretty pictures. The Parisbased photographer has assigned himself "the toughest project" — the open-ended task of recording the earth's environment as a benchmark for the future and accompanying his photos with words and statistics that place his images in a decidedly environmentalist context. "My job is to do a very strong picture that will give an emotional response," he says. "And the text is very, very important. My picture is nothing without it. The message is important."

The message is sustainable development, and respecting people and nature alike by changing production and consumption habits. Humans, says Arthus- Bertrand, have made their mark everywhere on the planet, particularly in the past 50 years. Through population growth and technological progress, they have dramatically transformed the earth's myriad landscapes. Arthus-Bertrand's themes in his photographic "state of the planet" cover the gamut of environmental and human- rights concerns: climate change, health care, food production, pollution, endangered species, water use, poverty, literacy, insecticides, garbage mountains, energy sources, women's rights, population issues, wildlife poaching, desertification and deforestation, and more.

A photo of a Finnish greenhouse in winter, eerily illuminated by artificial lighting, emphasizes the often uneasy relationship beween nature and agriculture. One of U.S. wheat fields prompts a refiection on agribusiness and the controversy surrounding biotechnology. Colorful bottle racks snapped in Germany bring comment about bottled water, plastic containers and the scourge of alcoholism. A shot of the world's largest offshore wind farm, in Denmark, raises the issue of fossil-fuel alternatives. A market in Kenya, where Western-donated goods are sold, illustrates the economic chasm between rich and poor nations. Arthus-Bertrand plans to work on the project for the rest of his life. "It's impossible to finish it," he says. "What you see here is the beginning. Other photographers will carry it on." To help them — and interested scientists — monitor the places he has visited, Arthus-Bertrand provides precise geographical coordinates. Most of his shots were taken from helicopters, in which he has clocked up more than 3,000 hours. "I'm not really an aerial photographer," he says. "I'm a photographer who uses helicopters." He considers them "magic toys," providing access to remote locations and the ability to hover over a landscape for long periods of time. "With a plane, you just steal the photograph as you fly over."

Arthus-Bertrand's environmental journey, which has so far included scores of countries, began in central France, where, as a young man, he managed a nature reserve. At 30, he moved to Kenya with his wife, Anne, to study lions in the Masai Mara reserve. There, he produced the first of some 70 books of photographs and, working as a hot-air balloon pilot taking tourists on wildlife-observation flights, developed a love for the vertical perspective. "People seeing the exhibition can see that, from a bird's-eye view, the world is a beautiful place," he says. "Close up, it is clear there are serious problems — and these are powerfully illustrated by the stark facts and statistics presented. Together they show why we should be concerned about the state of the world." He adds: "A photograph is so strong. Not everyone is going to think like me, but I speak with my photographs. It's easier that way. It's the earth itself that's a work of art, and we are all a part of nature. We choose the landscape of our soul."

From Arthus-Bertrand's perspective, his most powerful photograph is not of a Brazilian slum, a Philippine village inundated by mud or a quake-ravaged Turkish town. Rather, it is a view of the Ukrainian city of Pripiat in snow. Three kilometers from the now-closed Chernobyl nuclear plant, Pripiat is a ghost town, emptied of its 50,000 people. His feelings about the planet, though, are perhaps symbolized by the main photo used to promote the exhibition. Taken from above a mangrove swamp in Voh, New Caledonia, it captures a huge, naturally formed green heart.

Source : http://www.time.com/time/magazine/article/0,9171,267739,00.html

Below is the link for some samples of his work.

http://www.wecommunic8.com/EarthFromTheAir/Gallery/default.aspx

Yann Arthus-Bertrand In Time

I went to YANN's work in "Earth From the Above" exhibition at Central World. It was so amazing and I just loved it the very first minute I saw it. And he's become one of my fav photographers since then. I really like his style, u know. The nature from a very wide angle, the contrast of the colors. Kobkab said it's the called "layer" style. I mean I always like taking pix like that too but it didnt look that amazing..haha. The nature helps sometimes. But sometimes he just turned simple sprinkles to one beautiful picture and I love it.

You see his pix and you realize how beatiful this planet is.

I found an article about him in "Time" and this is what they said :


SERGE PICARD/VU FOR TIME
YANN ARTHUS-BERTRAND: At his home outside Paris, the environmentalist and aerial photographer works in a tree house—as always, close to nature but up in the air. "I hope to continue [this project] forever," he says

The Long Shot
A God's Eye View of the Situation
By RICHARD LACAYO
Posted Tuesday, February 17, 2003Yann Arthus-Bertrand is an aesthete with the soul of a moralist. He uses the beauty of the world to beguile you into a photograph in which a larger lesson awaits. His lesson is about the planet in jeopardy. For the past decade the 57-year-old Frenchman has been taking aerial shots over deserts, volca- noes, rain forests and cities. He turns natural formations and highway interchanges into nearly abstract, high-luster photographs—and also into food for thought. If his pictures are beautiful, the realities they point to are not: deforestation, desertification, unbridled development. "Each photograph," he explains, "has something to say about our environment."
Arthus-Bertrand has been spreading his message in a series of best-selling Earth from Above photo books and a traveling outdoor show of nearly 150 4-ft. by 6-ft. prints accompanied by captions that link the images to the environmental issues at stake. Since the show was first mounted in Paris four years ago, it has been seen by millions of people in 53 cities. To find a project of comparable ambition, you have to look back to "The Family of Man," the milestone 1955 museum show that toured the world to illustrate common threads in the human fabric. But that exhibition involved scores of photographers. Arthus-Bertrand spearheads his own effort, though even his most delicate images require something like a paramilitary operation—his team now totals 15—to handle planning and logistics. Some nations, like Saudi Arabia and China, have yet to give him flyover permission. "One problem with doing aerial photography," he explains dryly, "is that people think you are a spy."

Reported by Andrea Dorfman

Source : http://images.google.co.th/imgres?imgurl=http://img.timeinc.net/time/2004/innovators/200401/images/3.jpg&imgrefurl=http://www.time.com/time/2004/innovators/200401/kim.html&h=54&w=54&sz=3&hl=th&start=40&um=1&tbnid=LYLHCxSjlWNqSM:&tbnh=54&tbnw=54&prev=/images%3Fq%3Dyann%2Barthus-bertrand,scarlet,where%2Bwas%2Bit%2Btaken%26start%3D20%26ndsp%3D20%26um%3D1%26hl%3Dth%26sa%3DN

Mood mania

I know it's not really fair that I posted other people's works but i really like their works
and I definitely come check out often. I guess that's why I always give a credit at the end.

Source : http://community.livejournal.com/mood_mania/tag/one+tree+hill

Japan tips

I did some reserch before I left for Japan and some info is way too useful to just get simply deleted from my fav link. Frankly I haven't done reading it coz it is a little too long and I normally dont spend much time reading something really long on the internet. Even though I might not go back there and read again, the info is still interesting. I saved it instead and hopefully one day I'll get back to it.

http://japanrailmodelers.org/pages/travel.html

When it hits you!

I kinda like it that every now and then, there is always someone who shows you that you definitely can fall in love again. Some years ago, my heart was shut and didn't even know wether or not I could be in love again. My friend happened and he kinda made me realize that I definitely can. He opened my heart at some sort and that was 4 years ago in Colombia. Never felt that way since until maybe last week.

So I met this guy last week and it was so good, really good. Somehow it was like a dream coz u know you wont see him when u wake up the next morning.

But when you think of that good dream that u had, it kinda brings the smile to your face. Wow!!! I really had a good night, enjoying my time speanding it with him. So much better than I expected.

The original plan was I was gonna go hang out with him, kinda like being friends to the world but to my surprise we really hit it off and the conversations flow.

I almost forgot how someone can make you feel so 'you'.

Tokyo Lover คนรักของโตเกียว

"ผมหลงรักรถไฟสาย ‘ยามาโนะเตะ’ขบวนรถไฟฟ้าที่วิ่งวนเป็นวงกลมอยู่ใจกลางเมืองโตเกียว ความรักของผมเกิดขึ้นที่นั่น แต่มันไม่เคยจบลงเลยจนถึงวันนี้ เช่นเดียวกับรถไฟสายยามาโนะเตะที่ยังวิ่งวนอยู่อย่างนั้น ทุกวัน-ทุกวัน ในขณะที่หัวใจของผมก็ยังเรียกชื่อของใครคนหนึ่งซํ้าๆ เรื่อยมาจนถึงทุกวันนี้ และ ณ วินาทีนี้..."

วันนี้เข้าไปทำ research เรื่องโตเกียว ตั้งใจว่าจะไปหาหนังสือมาอ่านเล่นสัก 2-3 เล่ม แต่บังเอิญไปเจอ คำโปรยของบทความอันนึงเข้า
อ่านแล้วรู้สึกเศร้าจับใจ ให้ความรู้สึกเหมือนหนังเรื่องข้างหลังภาพยังไงไม่รู้
''นพพร ความรักของเธอเกิดขึ้น และจบลงที่นั่น แต่ของอีกคนยังอยู่" อะไรประมาณนี้

หรือเพราะมันเกี่ยวกับ.. ความรักครั้งแรก

ความรักครั้งแรกของผู้ชายคนนึงเกิดขึ้นที่นั่น
และฉันกำลังจะไปโตเกียว

*****

ได้มาละ wording เป๊ะๆ ข้างหลังภาพสมัยที่ยังเป็นหนัง ตอนที่ คาร่ากับเคนเล่น

"ความรักของเธอ เกิดที่นั่น และก็ตายที่นั่น แต่ของอีกคนหนึ่ง ยังรุ่งโรจน์อยู่ในร่างที่กำลังจะแตกดับ"

Relations Between Your Two eyes

I got this forward mail the other day. It said :

Relations Between Your Two eyes

Do you know the relation between your two eyes?

1. They blink together.
2. They move together.
3. They cry together.
4. They see things together.
5. They sleep together.
6. They never see each other..........

However, when they see a woman, one will blink and another will not.Moral of the story: Woman can break any kind of relationship!!! :)

****************************

Well I guess the writer jumps to the conclusion a little too fast.

I may like to add the following as well

**However, when they see a cute guy, one will blink and another will not.Moral of the story: Any kind of relationship can be broken when guys come between!!! :)

Miracle doesn't exist, not anymore

I expect no miracle to happen. I don't think it exists, not after my best friend is missing.

A made-someone-day phonecall

Just yesterday I made a call. Probably the best phonecall that I ever made, not for me but for my dad. A simple phomecall that means so much to someone, the phonecall to my dad saying I was gonna be home.

I was fighting it with the FMP with 20 CSers that I wanted to go so bad coz it does sound like so much fun and I always had to go there with guy friends alone. This time is my chance to spend it with a big group and somehow share common interest. I could have stayed in Bangkok hangin' out with P'som, Eric and Jeremy , exploring a little bit of Bangkok on Friday which would be fun with them, u know. I could have had dinner with P'Tum and his friends on Saturday and accepted invitation from Eddi to join her and her sis on Sunday. I skipped all that JUST FOR MY DAD. And I am glad I did that. I was glad I put my dad over anything else and everything else.
U know why? Coz I know that at the end you would always go back to people
who truly care about you which no surpise is your family.

Dad came to pick me up on the way to our house and waved at me when he was still in his car across the street. At the very moment I realized how happy I really made him feel. He has no hesitation to come to pick me up. And I know I made the right decision.

Something from me

To whom he can't be named,

At the age of 26, I unintentionally put up this wall the way you did when you were my age and not all people end up seeing who I really am except for you.

People who know me say I'm friendly still but lately I noticed I become quiet with some crowds incredibly and I want me back. I used to talk alot. I goofed around. I smiled and I laughed. It's like something is stopping me and holding me back. I stayed calm instead and did not talk much at all and I would say I wasn't myself. I just can't get loose and be me!!

One of my friends said I'm just being tired and making myself introvert. Well, that's her comment. I guess I have to go figure.


*****
One thing I figured is I was trying too hard to live up to people's expectations and I felt this tense in the air. So it's like I have this pressure all around me and I guess I couldn't handle with that very well.

Nathan vs Haley

This hurts me!! ..

HALEY: Hey, talk to me, please.
NATHAN: I don’t know what to say to you, Haley. Part of me just wants to find the right words to hurt you. .The same way you hurt me.
HALEY: I am hurting, Nathan.

------------------------------------------

HALEY: Nathan- You know,… you know when you took those drugs before the game… where you collapsed?
HALEY: You made a mistake. But… I know you promised yourself that if you had a second chance, you would do things differently. I know that I hurt you. But I promised myself that if I could get you to listen, um… I would tell you that… there was never a day on that tour… when I didn’t think you were the best part of my life.

-----------------------------------------

NATHAN: Yeah, after I drove a thousand miles to see you and you didn’t even call me after I left(!)
HALEY: Nathan, you just walked away!
HALEY: I did call.
NATHAN: You called our answering machine, Haley(!)
HALEY: Because I knew that you were gonna hang up on me anyway so I had to leave a message!
NATHAN: Well, I didn’t even play it. I deleted you.

-----------------------------------------


HALEY: Nathan, there wasn’t a moment when I was away… that my heart wasn’t with you in Tree Hill.
NATHAN: That’s great(!) (Pause) But I’m still leaving tomorrow, and unlike you, I’m taking my heart with me.

-----------------------------------------

HALEY: …I’m sorry. I’m sorry(!)
NATHAN: Haley, I can’t do this(!)
NATHAN: I’m sorry, you need to go. Alright? Please.
HALEY: I understand… if you don’t love me anymore.
NATHAN: Always and forever.
NATHAN: That’s what sucks, Haley. I still do love you. I always will.
NATHAN: …I just can’t trust you.

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HALEY: Did I wanna go – yeah. I loved it. I loved every night of it… but I want you to know something, Nathan: There was never a night… where I loved it more than I loved you.

I guess I was trying to say something.

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